It's more like it's a circle of both fifths and fourths, in both directions.
For example, C-G is a fifth if you go up, or a fourth if you go down. C-F is a fourth if you go up, or a fifth if you go down. So it can be a circle of fourths clockwise or counterclockwise.
Circles don't, but intervals do. If you start at middle C (C4), you can go up to G4 to get a fifth or down to G3 to get a fourth. Ergo C-G can, in the abstract, be thought of as a fifth or a fourth.
I think what you are trying to say is that going clockwise gives you successive dominants, while going counterclockwise gives you successive subdominants.
Great, but we're discussion the circle of fifths and fourths, not the intervals. You've moving the goal post. A fifth and a fourth are the same interval, but in the context of a key they are not, thus the circle is only fourths in one direction. You can't decide if an interval is a fifth or a fourth without knowing the key.
> I think what you are trying to say is that going clockwise gives you successive dominants, while going counterclockwise gives you successive subdominants.
I'm not trying to say it, I said it.
Pick any note on the circle, it's fifth (dominant) is directly clockwise and it's fourth (sub-dominant) is directly counterclockwise. Counterclockwise is always the fourth of the note you're moving from.